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CMYK Color Mixer: Pro Guide for Print-Ready Color Use the CMYK Color Mixer to blend Cyan, Magenta, Yellow, and Black (Key) with live previews, convert results to RGB/HSL/HEX, and check total ink coverage for real-world printing. It’s built for brand teams, designers, and prepress who need accurate CMYK recipes and production-ready handoff. Why mix color in CMYK (not RGB)?RGB adds light for screens; CMYK subtracts light on paper. If your output is physical—packaging, brochures, magazines—start in CMYK to avoid last-minute shifts. Starting from a brand HEX? Convert it first in the HEX to CMYK Converter and fine-tune here. How to get consistent, print-ready results Workflow tips for brand & packaging teams Ink coverage & rich blacks (quick reference)Total Ink Coverage (TIC) 0–240%: fast drying; great for digital and newsprint. 240–300%: okay for offset; monitor on uncoated. 300%+: risk of drying issues and muddy shadows. Popular Rich Black recipesStandard: C40 M30 Y30 K100 Cool: C60 M40 Y40 K100 Warm: C30 M50 Y50 K100 Convert, export, and shareExport CSS variables, JSON, or a palette file for dev and print teams. Need quick format jumps? Use the Color Converter. For accessibility at scale, test pairs in the Palette Accessibility Matrix. FAQs What’s a good starting point for CMYK mixing?Begin with your brand’s HEX, convert to CMYK, then adjust C/M/Y in small steps while reserving K for depth and crisp type. Why does my print look darker than the screen?Papers absorb ink and compress contrast. Reduce TIC or raise lightness; then proof on the intended stock and press conditions. Do I need ICC profiles?For critical jobs, yes. Profiles align your file to a press/paper combo. Use them alongside this mixer to minimize surprises on press. (责任编辑:) |
